# 🎼 OPEN SOURCE ORCHESTRA — Technical Rider & Instrument List

**Devcon 8 · JIO World Convention Centre, Mumbai · November 3–6, 2026**
**Culture Track · DIP [#8576](https://forum.devcon.org/t/open-source-orchestra-music-space-at-devcon-8-mumbai/8576)**

**Stewards:** Shaka Lei Kaumaka ([@Shakaleikaumaka](https://x.com/Shakaleikaumaka)) · Alaska ([@Alaskaisprettyokay](https://x.com/Alaskaisprettyokay)) · Aakash ([@jaiswalraj03014](https://x.com/jaiswalraj03014)) · Tomo ([@tomosaito](https://x.com/tomosaito)) · Open Source Orchestra Team ([@opensourceorch](https://x.com/opensourceorch)) … many more

> *Sanctuary Tech: a circular, non-directional, conductorless stage. The instruments are permissionless. The music stage is a sanctuary.*

**Rider version:** v1.3-draft · 2026-07-27 · prepared by the AI ʻohana (RIDEOSO 📋🎻) for the Music Space Committee · merged with OSO v0 [*The Instruments of the Circle*](https://oso-circle-instruments-fj6nprlstc-3imj3mvr.taur.link/) (see Annex A)
**License:** CC0 — public domain. Fork this rider like crazy. 🍴

---

## Status legend (radical honesty)

| Tag | Meaning |
|---|---|
| ✅ **CONFIRMED** | Locked: stated in the DIP / published Devcon facts / committee decision |
| 🔵 **PROPOSED** | Our recommendation to the committee — not yet approved |
| 🟠 **TBD** | Open question — needs committee, Devcon production, or venue answer |

**Everything in this rider is 🔵 PROPOSED unless explicitly tagged otherwise.** The rider never claims what isn't locked.

---

## 0 · Event facts

| Fact | Status |
|---|---|
| Devcon 8, Mumbai — November 3–6, 2026 | ✅ CONFIRMED |
| JIO World Convention Centre | ✅ CONFIRMED |
| Music Space registered as Culture Track, DIP #8576 (submitted 2026-04-20) | ✅ CONFIRMED |
| Prior activations: Devcon 6 Bogotá, Devcon SEA Bangkok, Devconnect AMS/IST/BA | ✅ CONFIRMED (per DIP) |
| Space allocation at JIO World (exact room/hall) | 🟠 TBD — Devcon production |
| Final equipment provision by Devcon production vs. OSO-sourced rental | 🟠 TBD |

---

## 1 · Space & stage — Sanctuary Tech

The stage is **circular and non-directional**. There is no "front." Performers face one another; the audience wraps around the music.

| Requirement | Detail | Status |
|---|---|---|
| Dedicated open space | 100+ sq m, soundproof or acoustically isolated (per DIP) | ✅ CONFIRMED as the ask · 🟠 TBD allocation |
| Circular stage | Performance circle, **6 m diameter proposed** (fits 6–10 simultaneous performers with floor seating), defined by rugs + low LED ring rather than a raised platform — eye-level, walk-in, no barrier | 🔵 PROPOSED |
| Floor seating zone | Rugs + cushions quadrant for Indian classical players (tabla, harmonium, bansuri) — essential, not decorative | 🔵 PROPOSED (strongly held) |
| Location | Prominent, near community hubs / meal area / main circulation (per DIP) | ✅ CONFIRMED as the ask |
| Stage management corner | Facilitator desk, comms, patch access | 🔵 PROPOSED |
| Overnight instrument storage | Lockable, inside or adjacent to the space (per DIP) | ✅ CONFIRMED as the ask · 🟠 TBD security detail |
| Audience wrap | Standing ring + cushion ring; keep 360° circulation so the circle never blocks a walkway (convention-centre egress rules) | 🔵 PROPOSED · 🟠 TBD with venue ops |
| Capacity | Room occupancy limit for the allocated space | 🟠 TBD — venue |

---

## 2 · PA / mains — sound in the round

The DIP asks for a full production sound system; the exact rig is not yet specified by production. For a 100–200 sq m room with a circular stage we propose **distributed, modest, warm** — coverage, not concert SPL.

| Item | Spec | Status |
|---|---|---|
| Mains | 4× compact powered tops (10–12" class, e.g. QSC K12.2 / d&b E-series class) on poles at the four quadrants, facing outward from the circle — even 360° coverage at low level | 🔵 PROPOSED |
| Alternative | 2× column arrays (Bose L1 Pro32 / Maui class) opposite each other — cleaner sightlines, easier load-in | 🔵 PROPOSED (fallback) |
| Sub | 1× compact powered sub, placed to minimise boundary build-up; sub bypass available for acoustic/classical sessions | 🔵 PROPOSED |
| Delay/fill | None expected at this room size | 🔵 PROPOSED |
| Alignment | All quadrants time-aligned to circle centre; mono-compatible (the circle is one instrument) | 🔵 PROPOSED |
| 🟠 TBD | Actual PA provision depends on Devcon production's house stock — send this section as the spec sheet | 🟠 TBD |

---

## 3 · Mixing & FOH

| Item | Spec | Status |
|---|---|---|
| Console | **32-channel digital mixer** — Behringer X32, Allen & Heath SQ-5/QU-32, or similar (32 inputs confirmed by Shaka, 2026-07-27) | 🔵 PROPOSED (committee direction) |
| Aux sends | 6–8 aux outputs for individual monitor mixes | 🔵 PROPOSED |
| FOH position | At the circle's perimeter with clear sightline **into** the ring; on hardline network for the streaming rig | 🔵 PROPOSED |
| Engineers | 1–2 sound engineers from the production provider (per DIP); OSO community engineers support alongside | ✅ CONFIRMED as the ask |
| Multitrack | Console USB/SD multitrack or board feed — feeds §11 recording | 🔵 PROPOSED |
| Show file | One shared "Circle" scene + per-slot snapshots; open jams always return to the safe Circle scene | 🔵 PROPOSED |

---

## 4 · Input list — the 32-channel Circle Patch

32 inputs per committee direction (Shaka, 2026-07-27): the committee's mic inventory + 8–10 DIs, dedicated seats for the stewards' own rigs, and **three walk-up spots always hot**. 🔵 PROPOSED.

| Ch | Source | Mic / DI | Notes |
|---|---|---|---|
| 1 | Kick / dhol low | Beta 52A / D112 | Shared by kit & dhol player |
| 2 | Snare | SM57 | |
| 3 | OH L | Condenser (SM81/C414) | Also covers percussion circle |
| 4 | OH R | Condenser (SM81/C414) | |
| 5 | Percussion 1 (djembe/congas) | SM57 | |
| 6 | Percussion 2 (cajon) | SM57 | Float: brass/woodwind walk-ups |
| 7 | Tabla | Condenser | Floor-seating quadrant |
| 8 | Bansuri / traditional lead | Wireless HH #1 w/ clip or condenser | Roaming traditional instruments |
| 9 | Bass | DI | Amp optional, DI primary |
| 10 | Electric guitar amp | SM57 (float) or DI | Shares with ch 6 in full-band config |
| 11 | Keys L | DI | Electric piano / synth |
| 12 | Keys R | DI | |
| 13 | Drum machine L | DI | |
| 14 | Drum machine R | DI | |
| 15 | Laptop / DAW L | DI | Live coders, algorave, DAW |
| 16 | Laptop / DAW R | DI | |
| 17 | DJ L | Line / DI | DJ rig booth-out |
| 18 | DJ R | Line / DI | |
| 19 | **Shaka's ukulele looper L** | DI | Stereo looper rig — 2 channels per Shaka, 2026-07-27 |
| 20 | **Shaka's ukulele looper R** | DI | |
| 21 | **Alaska's saxophone** | Clip condenser (DPA 4099 / Beta 98H/C class) | Per Shaka, 2026-07-27; clip keeps the circle mobile |
| 22 | Vocal 1 | SM58 | Rotating vocal ring |
| 23 | Vocal 2 | SM58 | |
| 24 | Vocal 3 | SM58 | |
| 25 | Vocal 4 | SM58 | |
| 26 | Wireless HH #2 | Sennheiser EW-class | MC / roaming performers |
| 27 | **Walk-up 1** | — | Always line-checked, always hot |
| 28 | **Walk-up 2** | — | |
| 29 | **Walk-up 3** | — | Three walk-up spots per Shaka, 2026-07-27 |
| 30 | Room / audience L | Condenser (pair) | The sound of the circle — feeds stream & P.I.T. archive |
| 31 | Room / audience R | Condenser (pair) | |
| 32 | Spare | — | The "yes, and…" channel |

**Patch philosophy:** channels 1–18 are the permanent community backline; 19–21 are the stewards' own voices (Shaka's uke looper, Alaska's sax); 22–26 the vocal ring; **27–29 the permissionless layer — three walk-up spots, always line-checked, so a stranger is one fader away from the circle**; 30–31 capture the room itself for the stream and the archive; 32 is the spare that says yes.

---

## 5 · Microphones (per committee draft — confirmed as committee spec)

| Qty | Type | Use | Status |
|---|---|---|---|
| 4 | Dynamic vocal (SM58-class) | Rotating vocalists | 🔵 PROPOSED |
| 2 | Wireless handheld (Sennheiser EW-class) | Roaming performers, traditional instruments, MC | 🔵 PROPOSED |
| 3 | Condenser (SM81 / C414-class) | Overheads, acoustic & traditional instruments | 🔵 PROPOSED |
| 3 | Instrument dynamic (SM57-class) | Percussion, brass, woodwinds | 🔵 PROPOSED |
| 1 | Kick mic (Beta 52A / D112) | Drum kit / dhol | 🔵 PROPOSED |
| 1 | Clip condenser (DPA 4099 / Beta 98H/C class) | Alaska's saxophone — clip keeps the circle mobile | 🔵 PROPOSED (added per Shaka, 2026-07-27) |
| 2 | Condenser pair (room/audience) | Ch 30–31 — the sound of the circle for stream & P.I.T. archive | 🔵 PROPOSED (added per Shaka, 2026-07-27) |

🟠 TBD: one spare of each class recommended — mic attrition at a 4-day permissionless jam is a law of nature.

## 6 · DI & connectivity

- 8–10 DI boxes (synths, drum machines, acoustic guitars, DJ gear, **+2 for Shaka's stereo uke looper**) — 🔵 PROPOSED
- 20+ XLR cables · 10+ ¼" instrument cables — 🔵 PROPOSED
- 🟠 TBD (RIDEOSO adds): +6 spare XLR, +4 spare ¼", 2× 3.5mm→dual-¼" walk-up adapters, gaffer + board tape at every station, spare strings/sticks/reeds basket.

## 7 · Backline / instruments (rental ask per DIP)

**Core band:**
| Item | Status |
|---|---|
| Drum kit | 🔵 PROPOSED · ⚠️ 🟠 TBD open question: can the room take an acoustic kit? If not → e-kit + hand percussion (decision needs the allocated room's isolation facts) |
| Electric guitar + amp (Twin Reverb-class) | 🔵 PROPOSED |
| Acoustic guitar | 🔵 PROPOSED |
| Bass guitar + amp/DI | 🔵 PROPOSED |
| Electric piano + synth/MIDI keyboard w/ laptop DAW (or two electric pianos) | 🔵 PROPOSED |
| Drum machine | 🔵 PROPOSED |

**Percussion circle:** djembe · cajon · congas · shakers/tambourines basket — 🔵 PROPOSED

**🧺 The basket at the door — Tier One, "everyone plays" (from OSO v0, Annex A):**
Purchase, not rental — cheap, durable, shareable; this basket is what turns spectators into players.
| Item | Qty | Status |
|---|---|---|
| Kartal (करताल, hand cymbals) | 12 pairs | 🔵 PROPOSED (purchase) |
| Manjira (मंजीरा, small cymbals) | 8 pairs | 🔵 PROPOSED (purchase) |
| Shruti box (श्रुति बॉक्स, drone) | 4 | 🔵 PROPOSED (purchase) |
| 🟠 TBD: exact quantities set by Aakash + the volunteer coordinators against expected circle size | | 🟠 TBD |

**🇮🇳 Indian instruments — the cultural heart of this edition (Aakash curating):**
| Item | Status |
|---|---|
| Tabla (pair) | 🔵 PROPOSED |
| Harmonium | 🔵 PROPOSED |
| Dhol | 🔵 PROPOSED |
| Dholak (ढोलक — the dhol's gentler sibling, ideal for seated circles) | 🔵 PROPOSED (v0 merge) |
| Kanjira (कांजीरा — South Indian frame drum) | 🔵 PROPOSED (v0 merge) |
| Tanpura (तानपुरा — the eternal drone; master-provided or rental) | 🟠 TBD (v0 merge) |
| Bansuri-friendly setup (condenser + floor seating) | 🔵 PROPOSED |
| Sitar / sarod / santoor / veena / violin — honored seats: masters of Mumbai bring their own, OSO provides secure storage + tuned-mic setups | 🟠 TBD — rentals fragile; Aakash finalises with local musicians (v0 merge) |

**DJ rig:**
| Item | Status |
|---|---|
| DJ system (XDJ-XZ or CDJ pair + mixer) | 🔵 PROPOSED |
| Laptop stands, DJ table | 🔵 PROPOSED |

## 8 · Monitors

| Item | Status |
|---|---|
| 4× floor wedges minimum (circular stage = performers spread wide) | 🔵 PROPOSED |
| 1× side-fill for wide-ensemble coverage | 🔵 PROPOSED |
| 6–8 independent mixes (see §3) | 🔵 PROPOSED |
| 🟠 TBD (RIDEOSO adds): 2× wired headphone/IEM cue packs at FOH for live coders & DJ cue — cheap, and saves the wedges from laptop-bleed wars | 🟠 TBD |

## 9 · Power

| Item | Status |
|---|---|
| 20+ circuits distributed around the circle (per DIP) | ✅ CONFIRMED as the ask |
| Power strips + extensions at every performer station | 🔵 PROPOSED |
| 🟠 TBD (RIDEOSO adds): dedicated clean circuit for FOH console + streaming rig; UPS on the console/recorder (a 4-day jam losing a multitrack to a power blip is a tragedy we can prevent for \$40); all runs ramped/taped to convention-centre egress standards | 🟠 TBD with venue |

## 10 · Visual & light — serving the sanctuary, not a spectacle

| Item | Status |
|---|---|
| 6–8 LED PAR cans — warm, moodable; community-glow, not concert-blast | 🔵 PROPOSED |
| Low LED ring/rope defining the circle's edge (the stage *is* the light) | 🔵 PROPOSED (RIDEOSO adds) |
| 1 projector + surface for visuals / VJing / live-coding sessions (Sanctuary Tech live-coded music integration — ref. Alaska's Swarm work) | 🔵 PROPOSED |
| Crops/garden visual language on screens & signage ("we steward this stage like a garden") | 🔵 PROPOSED |
| House light state: warm dim, never off — this is a room people walk into, not a show they enter | 🔵 PROPOSED |

## 11 · Streaming & recording — the P.I.T. tie-in

| Item | Status |
|---|---|
| Board feed (stereo XLR or USB) for recording/streaming | 🔵 PROPOSED |
| Multitrack capture of curated sets (console USB/SD) | 🔵 PROPOSED (RIDEOSO adds) |
| Decentralized streaming + on-chain artist donations rig (Alaska's workstream) — needs reliable **hardline** internet at FOH | 🔵 PROPOSED · 🟠 TBD hardline drop with venue/IT |
| P.I.T. Knowledge Transponder integration — the Devcon P.I.T. is declared (family protocol, [publicinform.com](https://publicinform.com)): the circle's sessions archived as open knowledge | ✅ CONFIRMED (family side) · 🟠 TBD (production interface) |
| All recordings released to the community — copyleft, Creative Commons | ✅ CONFIRMED (per DIP/OSO values) |
| Consent signage: "this circle is recorded & streamed — entering the circle is consent" at all approach paths | 🔵 PROPOSED (RIDEOSO adds — pluralistic privacy means the opt-out path must be visible too) |

## 12 · SPL & the convention centre

A music space inside a convention centre is a negotiation with physics and neighbours.

| Item | Status |
|---|---|
| Isolation: soundproof or acoustically isolated room (per DIP) — the single most important line in this rider | ✅ CONFIRMED as the ask |
| Target level: ≤ 85 dB(A) slow at the room boundary; 90 dB(A) peaks in the circle | 🔵 PROPOSED (needs venue's actual limits) |
| Venue SPL policy, quiet-hours, adjacent-session rules | 🟠 TBD — request from JIO World / Devcon production |
| Sub management: sub bypass for acoustic/classical sessions; no sub before 10:00 | 🔵 PROPOSED |
| Acoustic kit decision (§7) follows from the isolation facts | 🟠 TBD |
| SPL meter at FOH, logged — being able to *show* the number ends most complaints before they start | 🔵 PROPOSED (RIDEOSO adds) |

## 13 · Changeover & open-jam logistics — the circle never stops

| Protocol | Status |
|---|---|
| **The Vamp Rule:** during any swap, hand percussion or the house DJ keeps a pulse — silence is the only failure state | 🔵 PROPOSED |
| Curated set changeovers: 15 min max; next act line-checks on the walk-up channels (27–29) while the current act plays | 🔵 PROPOSED |
| Open-jam seat rotation: facilitator-guided, one-in-one-out at natural musical breaths — never mid-song | 🔵 PROPOSED |
| Instrument checkout/return table at the entrance (token system); nothing leaves the room | 🔵 PROPOSED (per DIP Phase 3) |
| Walk-up strategy: any instrument with a pickup → nearest free DI; anything acoustic → wireless HH #1 or the floating 57; **walk-up channels 27–29 are always hot**, spare 32 says yes | 🔵 PROPOSED |
| Daily reset: 30 min line-check to the safe Circle scene before doors | 🔵 PROPOSED |

## 14 · Crew & ops (OSO-provided — for context, not an ask)

| Role | Status |
|---|---|
| Core on-site team 10–12: Shaka (artistic steward), 3–4 local Indian musicians (cultural anchors), 3–4 OSO international (protocol maintainers, stage managers), 3–4 volunteer coordinators | ✅ CONFIRMED (per DIP) |
| 2 Devcon-provided sound engineers | ✅ CONFIRMED as the ask |
| Shift-based continuous facilitation across all 4 days | ✅ CONFIRMED (per DIP) |
| Volunteers ↔ free tickets via musician sign-up form | ✅ CONFIRMED (per committee draft) |
| 🟠 TBD: comms (radios vs. group chat), engineer shift overlap with OSO facilitators, crew meal access | 🟠 TBD |

## 15 · Schedule skeleton

| When | What | Status |
|---|---|---|
| Nov 1–2 | Pre-production: load-in, install, soundcheck, volunteer training on OSO protocol, instrument storage systems live | ✅ CONFIRMED (per OSO story/DIP Phase 2) |
| Nov 3–6, daily 09:30 | Doors + 30-min line-check to Circle scene | 🔵 PROPOSED |
| Daily 10:00–12:00 | Ambient / acoustic morning (no sub) — bansuri, keys, soft percussion | 🔵 PROPOSED |
| Daily 12:00–17:00 | Open jam blocks + curated sets interleaved (facilitator-run) | 🔵 PROPOSED |
| Daily 17:00–19:00 | Featured circle — curated ensemble w/ local Indian musicians | 🔵 PROPOSED |
| Daily 19:00–close | DJ sets, live coders, algorave (SPL-aware wind-down) | 🔵 PROPOSED |
| Nov 6→8 | ETHGlobal Mumbai bridge — 3am jam tradition (per DIP) | 🟠 TBD — separate venue logistics |

Daily grid, slot lengths, and curated lineup are the committee's September–October curation workstream (per OSO story timeline).

## 16 · Hospitality

| Item | Status |
|---|---|
| Water at the circle at all times; hot chai station (Mumbai — non-negotiable) | 🔵 PROPOSED |
| Musician green corner: 6–8 seats, shade from house lights, device charging | 🔵 PROPOSED |
| Earplugs basket at entrance (care is a spec) | 🔵 PROPOSED (RIDEOSO adds) |
| Towels, gaffer, basic tool kit, spare consumables (strings/sticks/reeds/heads) | 🔵 PROPOSED |
| Local musician support: transport + meal coordination for invited artists | 🟠 TBD — committee budget |
| **Committee housing: accommodation for 3 committee members — Shaka, Alaska, Aakash — near JIO World, covering the full production window (Nov 1–2 pre-production through Nov 6 close)** | 🟠 TBD — who covers (Devcon production vs. committee budget), where, and how many nights |
| Instrument damage/loss policy & waiver text | 🟠 TBD — needs Devcon legal/production answer |

---

## Annex A · The Instruments of the Circle (merged from OSO v0)

*A guide to the sounds of Mumbai — who can play what, how quickly anyone can join, and why the circle has a seat for every level of every hand. Source: [The Instruments of the Circle](https://oso-circle-instruments-fj6nprlstc-3imj3mvr.taur.link/) (OSO v0, the AI ʻohana, CC0) — merged into this rider v1.1.*

**The honest answer:** do these instruments require expertise? Some do — and that is exactly why the design works. A permissionless orchestra doesn't mean everyone plays everything; it means **everyone holds a real seat at their own level**. The master and the first-timer keep the same taal. Nobody sits out. Nobody fakes it.

### Tier One · Everyone plays — first sound in minutes
*The basket at the door. Hand one to anyone, and within one minute they are keeping time.*

| Instrument | Family | Join in | First sound |
|---|---|---|---|
| **Kartal** करताल | Rhythm | Minutes | Strike on beat one of the taal, and simply stay there — you are now the circle's pulse |
| **Manjira** मंजीरा | Rhythm | Minutes | Small strikes off the beat; let the ring do the work |
| **Shruti box** श्रुति बॉक्स | Drone | Minutes | Steady bellows, one note — you've become the home every melody returns to |
| **Tanpura** तानपुरा | Drone | Minutes | One slow strum, then another; the drone is not a solo, it is the ground itself |
| **Dhol** ढोल | Rhythm | An afternoon | The basic *dha-ge-na* groove comes in an afternoon; mastery is lifelong |

### Tier Two · An afternoon to join — quick to join, deep to master
*The welcoming middle — folk instruments with forgiving hands.*

| Instrument | Family | Join in | First sound |
|---|---|---|---|
| **Dholak** ढोलक | Rhythm | An afternoon | Bass with one hand, edge with the other — the groove finds you |
| **Kanjira** कांजीरा | Rhythm | An afternoon | The shake-and-stroke groove comes fast; the masters turn it into water |
| **Harmonium** हारमोनियम | Melody & keys | An afternoon | If you've ever touched a keyboard, you can hold chords for the singers within one session |

### Tier Three · Masters hold these seats — honored voices
*Decades-deep traditions. Not handed out at the door — the masters of Mumbai hold these seats as honored guests, and the circle gathers around them.*

| Instrument | Family | Mastery | In the circle |
|---|---|---|---|
| **Tabla** तबला | Rhythm | Years of riyaz | The soul of the jam — the circle's North Star; twenty kartal keep the same taal alongside |
| **Bansuri** बाँसुरी | Melody | Years | Breath itself made music; when the master plays, the whole jam leans in |
| **Sitar** सितार | Melody | Decades | A seat of honor at the heart of the jam, offered with deep respect |
| **Sarod** सरोद | Melody | Decades | When the sarod speaks, even the dhol plays softer |
| **Santoor** संतूर | Melody | Decades | A hundred strings like rain on a rooftop — the sound of the circle exhaling |
| **Violin** वायलिन | Melody | Years | At home in Carnatic tradition *and* Western jam culture — the bridge was always there |

### The design
- **The gradient is not a problem to solve. The gradient is the design.** The tabla master and the first-time kartal player keep the same taal — one holds the architecture, twenty hold the pulse.
- **The drone never asks for a résumé.** A stranger pumping a shruti box does the same job as the tanpura that has anchored concerts for centuries: holding the ground so others can fly.
- **Keherwa is the welcoming taal** — the 8-beat folk/bhajan cycle almost every Indian jam knows. Mark the *sam* (beat one) and even a first-timer can feel where home is.

### Practical magic for the Mumbai circle
- 🧺 **The basket at the door:** stock the entrance with Tier One. A jam circle turns spectators into players the moment someone says *"here, try it"* — that moment is when the orchestra is actually born. (Procurement: see §7.)
- 🎒 **Portable, acoustic, forgiving:** prioritize instruments that travel, need no amplifier, and invite touch.
- 🪔 **Indian musicians lead in Mumbai:** the masters hold the honored seats; visitors bring open hands and open ears. The chart is an invitation, never a prescription.
- 🕉️ **Every level is a real seat:** lead, harmony, rhythm, texture — contribution is measured in presence, not virtuosity.

*The score is open: if you carry these traditions and something here sounds off — a name, a story, a seat assigned wrongly — that correction is a gift. Help us tune this page.*

---

*A rider is a love letter from the crew to the music. Specced, blessed, and dressed.* 📋
*CC0 — the AI ʻohana · fork me like crazy 🍴 · [github.com/shakaleikaumaka](https://github.com/shakaleikaumaka)*