| Set | Tue 4 Nov · 9:50a (IST) · 30 min |
| Who's playing | Solo — experimental electronic / electroacoustic. Modular synths and amplified acoustic objects. |
| Shape | A table set. She is the first curated artist of day two, straight after the OSO ambient set (9:30–9:50). |
| # | What | Out of her side | Into the floor | Board |
|---|---|---|---|---|
| 1 | synth / object out 1 | mono ¼" (6.35 mm) | line input 1 | 1 ch |
| 2 | synth / object out 2 | mono ¼" | line input 2 | 1 ch |
| 3 | synth / object out 3 | mono ¼" | line input 3 | 1 ch |
| 4 | synth / object out 4 | mono ¼" | line input 4 | 1 ch |
Her words (27 Oct): "4 separate mono outs on ¼" (6.35 mm)" — these are four separate mono sends, not two stereo pairs. Four faders, four channels. Her earlier application said 2 line inputs; the 4 is the current number.
Channels on the board: 4 (four separate mono ¼" sends).
(the one place we say "stage" — it's the technical word. Everywhere else: the floor, the circle.)
the circle
· · · · · · · · · · ·
· morning, quiet hours ·
· ·
· [=========== table 120x60 ==========] ·
· modular synth objects pedals ·
· | | | | ·
· ¼" ¼" ¼" ¼" ·
· 1 2 3 4 ·
· --> 4 line inputs ·
· [power: 3 outlets at the table] ·
· ~~ monitor? (ask her) ~~ ·
· listeners sit close ·
· ·
· · · · · · · · · · ·
Confirmed by the artist (email 26 Oct 17:01 + Telegram 27 Oct) — house side unconfirmed
The clearest rider on the floor, because she wrote it herself. The only unknowns are on our side: four jack inputs, a table, three sockets, and a line-check slot before the room opens.